(12) (A), (B), (C)의 각 네모 안에서 문맥에 맞는 낱말로 가장 적절한 것은?
Until the twentieth century, when composers began experimenting freely with form and design, classical music continued to follow basic rules relating to structure, not to mention harmony. There still was room for (A)
conformity / individuality―the great composers didn’t follow the rules, but made the rules follow them―yet there was always a fundamental proportion and logic behind the design. Even after many of the rules were (B)
maintained / overturned by radical concepts in more recent times, composers, more often than not, still organized their thoughts in ways that produced an overall, unifying structure. That’s one reason the atonal, incredibly complex works by Arnold Schönberg or Karlheinz Stockhausen, to name two twentieth-century Modernists, are nonetheless (C)
approachable / inaccessible. The sounds might be very strange, but the results are still decidedly classical in terms of organization.
*atonal: 무조의, 장조나 단조 등의 조를 따르지 않는
① conformity - maintained - approachable
② individuality - overturned - approachable
③ individuality - maintained - approachable
④ individuality - maintained - inaccessible
⑤ conformity - overturned - inaccessible